23rd Jan 2008
dance floor creative exploration
Our job as a documentary photographer is to showcase the mood and ambiance of an event. Often enough, 5-7 hours into a wedding is enough for us photographers to start to get tired and lazy on our feet. Have you told yourself or assistant “hey, we have shot this dancing stuff for hours, I’m going to start shooting less”? Well, I would totally agree that 50 drunk folks on the dance floor can start to look redundant!
I would suggest that the moment this question comes to your mind, OPEN YOUR MIND and start exploring the possibilities of creativity! What a better place to experiment with the flash! Heck, the flash doesn’t even need to be part of your creative exploration as your camera is a wonderful tool to play with.
Because this is flash flavor, I’ve included a few examples of our team using flash to SPICE up our time…
In this photo example, we decided to exaggerate the movement of the dance floor. I chose a moment when the bridesmaids decided to get on the floor and turn circles around each other. The blue color of their dresses helped the photo moment too. I cooled the photo down in PS to blend with the tones in the dresses and such. Our assistant can be seen in the upper right hand side of the frame with a flash stick. The slave was triggered by pocket wizard and set to 1/8th power bouncing off a very tall ceiling, meant to spill enough light on the entire room but not overpower the dragging movement. Its really a mix of the strong ambient and flash.

Canon 5d ISO 250 2.8 at 1/2 second
These two images came from a Greek wedding where they were throwing money at the bride and groom during a traditional Greek dance. I used many different approaches to get some great shots here, but these two occurred when I started “experimenting” with my flash. With the help of an assistant hand holding a slave triggered by pocket wizard, we set the flash to 1/4 power and set the head to a 28mm zoom. The instructions I gave him were to go over to the middle of this chaos and hide from me, aiming the flash in many different places.
For this frame, a 45 degree bounce off the floor, aimed camera left. Notice camera prospective!

Canon 5d ISO 1250 2.8 1/60th
Here, I change camera prospective and the flash is aimed at pretty much the same prespective. Added emphasis to make compositional lines drew your eye to the kid

Cheers!
mateo
Our job as a documentary photographer is to showcase the mood and ambiance of an event. Often enough, 5-7 hours into a wedding is enough for us photographers to start to get tired and lazy on our feet. Have you told yourself or assistant “hey, we have shot this dancing stuff for hours, I’m going to start shooting less”? Well, I would totally agree that 50 drunk folks on the dance floor can start to look redundant!
I would suggest that the moment this question comes to your mind, OPEN YOUR MIND and start exploring the possibilities of creativity! What a better place to experiment with the flash! Heck, the flash doesn’t even need to be part of your creative exploration as your camera is a wonderful tool to play with.
Because this is flash flavor, I’ve included a few examples of our team using flash to SPICE up our time…
In this photo example, we decided to exaggerate the movement of the dance floor. I chose a moment when the bridesmaids decided to get on the floor and turn circles around each other. The blue color of their dresses helped the photo moment too. I cooled the photo down in PS to blend with the tones in the dresses and such. Our assistant can be seen in the upper right hand side of the frame with a flash stick. The slave was triggered by pocket wizard and set to 1/8th power bouncing off a very tall ceiling, meant to spill enough light on the entire room but not overpower the dragging movement. Its really a mix of the strong ambient and flash.

Canon 5d ISO 250 2.8 at 1/2 second
These two images came from a Greek wedding where they were throwing money at the bride and groom during a traditional Greek dance. I used many different approaches to get some great shots here, but these two occurred when I started “experimenting” with my flash. With the help of an assistant hand holding a slave triggered by pocket wizard, we set the flash to 1/4 power and set the head to a 28mm zoom. The instructions I gave him were to go over to the middle of this chaos and hide from me, aiming the flash in many different places.
For this frame, a 45 degree bounce off the floor, aimed camera left. Notice camera prospective!

Canon 5d ISO 1250 2.8 1/60th
Here, I change camera prospective and the flash is aimed at pretty much the same prespective. Added emphasis to make compositional lines drew your eye to the kid

Cheers!
mateo
Posted by matt under
Photographers, Matt Adcock
15 Comments »










