10th Aug 2007

hard light city

I shoot some pretty direct flash, as hard as the light may be sometimes…i kinda like it. I’ve heard talk about photographers that use hard light and it seems that sometimes it may be frowned upon…My take is “who cares”. If you have had a chance to dig through my stuff, you will find a portfolio with some hard light hanging around. I’d say the edgy feel sorta defines my style a bit. You can always migrate to a bounce flash and soften the situation quite a bit but, most of the time, I’m on the fly and have no time for a big soft box.

Occasionally on the beach, we are on the run and walking around with limited supplies. Speedlight and a battery pack with a monopod with a small backpack of extras… I have many photo examples of this type of light, here are just a few to tell my tale :)

In a few of these photos, I juxtaposed the hard lit subjects against a beautiful background…edgy light with an amazing setting…emphasizing the mood and light’s radiance …All images in this post were shot with a Canon 5d using Nikon Sb-28 slaves triggered by PW, usually with a Nikon Sd-8a battery pack. Everything shot on Manual.

 

hardlight2.jpg
Lens (mm): 16 ISO125 F8 1/200 | Slave: 1/2 power I specifically remember setting the flash on the side of the scene, without aiming at anything and got lucky that the light actually spilled onto the subjects. This shot was really a happy accident!

Here is another one from that same sequence, this time I decided to use a rim light to strengthen this moment, emphasized by the wind.

hardlight2b.jpg
Lens (mm): 16 ISO125 F2.8 1/100 | Slave: 1/4

 

We were approaching dusk and needed a little help from a 1/2 power speedlight and waited for a PJ moment to snag this portrait…ocean waves and the face grab (totally unplanned) just helped me seal the deal on this moment… its TOTAL HARD LIGHT CITY. but who cares.. i certainly dont… my client is a member of several public bridal forums and posted this image as her signature for a while… Hard light sells!

hardlight.jpg
Lens (mm): 16 ISO: 125 F 2.8 1/100 | Slave: 1/4

I shoot at this resort with a rocky shoreline quite a bit, and happen to have a photo example from a honeymooner session, shot by Sol Tamargo… In this case, I was her helper:) The snooted sb-28 is on a monopod with a sd-8a battery pack. Sol took this photo of me because she enjoys watching me work :) …I’ve included it here only to showcase setup for the above photo, same location.

hardlight-setup.jpg

 

I put this one in there because I like the content…makes me smile! Sol got this one while we were shooting a coctail reception at the beach. Does this guy have a handful or what?
hardlight3.jpg ISO 100, f2.8 1/50 | Slave: 1/64

Have some cool shots? Drop them off at the Flash Flavor Flickr group

Tell me about your hard light city stories :)
cheerios,

matt

9 Responses to “hard light city”

  1. Joseph Says:

    oh yeh, this is brilliant stuff as usual matt!

    I know its been a while, but I did my first “strobist” wedding the other day, I’d love to show you a few when I’ve processed them! Keep the stuff coming, I’m really enjoying reading yours and Sol Tamargos Blog :)

  2. Ryan Dlugosz Says:

    Great shots, Matt. I especially like the 3rd one… it seems to have a dreamy quality about it - did you do something in post to achieve that?

    BTW - do you ever attempt to do these off-camera light setups when you’re on your own, or do you always have someone to assist running around with the flash?

  3. matt Says:

    Joesph, please do post some of your stuff on the flickr group….Sol’s blog amazes me too, man, she always has some crazy angles or color that is HOT!

    Ryan: we do use a glowy action that we made and use some masks and did some tweaks to that photo, I guess it helps offset the hard light…

    thanks for the comments :)

  4. Robert Hammar Says:

    Hi, Matt!
    You have proved that hard light works. I like to mix soft light with hard light. For instance I use a soft box or umbrella mixed with a hard ligtht from a snoot. I set this two light on my camera left or right as a beauty light. Have the umbrella or softbox like for a overall light and aim the snoot to the face.

    I took a senior picture of Sören and had two Canon Speedlite pointed from back towards Sörens face. Check the picture here, the post is in Swedish but the picture tells it in all languages: http://www.roberthammar.se/?p=124

    Ok, take care Matt and thanks again for sharing your stuff. Great work, love it.

    All my best!

    Robert Hammar
    Finland

  5. Jonathan Ryan Says:

    Just love the first and third shots. The background is awesome but without that hard light they would be nothing - excellent work!

  6. Sol Tamargo Says:

    Matt you are such a passionate guy, and your photography shouts out loud: I love what I’m doing!!!!!….. HAHA!!! I LOVE YOU!!.. I’m a lucky morena to have you…

  7. Tana Huffman Says:

    Absolutely stunning. I voted for this picture on Blu the second I saw it - it was a no-brainer. I am in love with your composition on this and am truly inspired.

  8. Erica Clements Says:

    That last image makes me laugh, because my hubby does that all the time, with the same silly grin on his face. ;)

  9. Nicole Ellis Says:

    Nice job! The pictuures were really well taken. You must be a professional photographer. How do you make the hard light effect if you are using a digital camera? Oh.. soft light too…

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